Ode an die Freude ( Ode to Joy ) Beethoven Symphony No.9 classical music

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This is a flash-mob classical rendition of Ode to Joy (Beethoven Symphony No.9), incredibly well performed.

The Symphony No. 9 in D minorOp. 125, is a choral symphony, the final complete symphony by Ludwig van Beethoven, composed between 1822 and 1824. It was first performed in Vienna on 7 May 1824. The symphony is regarded by many critics and musicologists as Beethoven’s greatest work and one of the supreme achievements in the history of music.[1][2] One of the best-known works in common practice music,[1] it stands as one of the most frequently performed symphonies in the world.[3][4]

The Ninth was the first example of a major composer using voices in a symphony.[5] The final (4th) movement of the symphony features four vocal soloists and a chorus. The text was adapted from the “Ode to Joy“, a poem written by Friedrich Schiller in 1785 and revised in 1803, with additional text written by Beethoven. (source: wikipedia)

The Kowloon Walled City

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Kowloon Walled City was an ungoverned and densely populated de jure Chinese enclave within the boundaries of Kowloon CityBritish Hong Kong. Originally a Chinese military fort, the walled city became an enclave after the New Territories were leased to the United Kingdom by China in 1898. Its population increased dramatically following the Japanese occupation of Hong Kong during World War II. By 1990, the walled city contained 50,000 residents[1] within its 2.6-hectare (6.4-acre) borders. From the 1950s to the 1970s, it was controlled by local triads and had high rates of prostitution, gambling, and drug abuse.[2]

In January 1987, the Hong Kong government announced plans to demolish the walled city. After an arduous eviction process, and the transfer of de jure sovereignty of the enclave from China to Britain, demolition began in March 1993 and was completed in April 1994. Kowloon Walled City Park opened in December 1995 and occupies the area of the former walled city. Some historical artefacts from the walled city, including its yamen building and remnants of its southern gate, have been preserved there. (source wikipedia)

10th Mountain Infantrymen Ambushed By Taliban At Close Range

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Soldiers of the 10th Mountain Division’s 1-87 Infantry Regiment are conducting a dismounted patrol when they are ambushed by Taliban militants at relatively close range.

The cameraman and his machine gunner have a textbook reaction to the attack and charge violently forward while suppressing. They take up what cover they can find while providing suppressing fire for the exposed soldiers behind them.

They are able to get on a lateral line and identify and engage suspected enemy locations 50 meters to their front. Enemy rifle rounds repeatedly crack through the air, very near to the American troops. Approximately half way through the video, the camera is knocked down, but the remaining audio of gunfire and verbal communication allows the viewer to understand what is happening.

Memorable Spaghetti Western Movie Scenes

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These are hands down some of the most memorable Spaghetti Westerns.

The Good, the Bad and the Ugly (ItalianIl buono, il brutto, il cattivo, literally “The good, the ugly, the bad”) is a 1966 Italian epicspaghetti Western film directed by Sergio Leone and starring Clint Eastwood as “the Good”, Lee Van Cleef as “the Bad”, and Eli Wallach as “the Ugly”.[9] Its screenplay was written by Age & ScarpelliLuciano Vincenzoni, and Leone (with additional screenplay material and dialogue provided by an uncredited Sergio Donati),[10] based on a story by Vincenzoni and Leone. Director of photography Tonino Delli Colli was responsible for the film’s sweeping widescreencinematography, and Ennio Morricone composed the film’s score, including its main theme. It was an Italian-led production with co-producers in Spain, West Germany, and the United States. Most of the filming took place in Spain. (wikipedia)

Once Upon a Time in the West (ItalianC’era una volta il West, “Once upon a time (there was) the West”) is a 1968 epicSpaghetti Western film directed by Sergio Leone, who co-wrote it with Sergio Donati based on a story by Dario ArgentoBernardo Bertolucci, and Leone. It stars Henry Fondacast against type as the villain,[5][6]Charles Bronson as his nemesis, Jason Robards as a bandit, and Claudia Cardinale as a newly widowed homesteader. The widescreen cinematography was by Tonino Delli Colli, and the acclaimed film score was by Ennio Morricone. (wikipedia)

My Name Is Nobody (ItalianIl mio nome è Nessuno) is a 1973 Italian/French/German international co-production comedy Spaghetti Western starring Terence Hill and Henry Fonda. The film was directed by Tonino Valerii and based on an idea by Sergio Leone.

The film follows the story of Nobody (Terence Hill) who attempts to get his idol Jack Beauregard (Henry Fonda) to take on the Wild Bunch gang of outlaws. (wikipedia)

Is Skynet watching you already?

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The machines are already tracking and watching you. And they’re influencing you. The future looks bleak. Do you really want to live in a Skynet world?

I interview Rob Braxman – the Internet Privacy Guy. He’s a public interest hacker and technologist. He uses his extensive knowledge of cybersecurity and tech to serve the public good. He cares about privacy. He warns you of digital manipulation, disinformation, mass surveillance.

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Rashomon: An Excellent Psychological Thriller

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Rashomon (Japanese: 羅生門, Hepburn: Rashōmon) is a 1950 Jidaigeki psychological thriller/crime film directed and written by Akira Kurosawa, working in close collaboration with cinematographer Kazuo Miyagawa.[2] Starring Toshiro Mifune, Machiko Kyō, Masayuki Mori, and Takashi Shimura as various people who describe how a samurai was murdered in a forest, the plot and characters are based upon Ryunosuke Akutagawa’s short story “In a Grove“, with the title and framing story being based on “Rashōmon“, another short story by Akutagawa. Every element is largely identical, from the murdered samurai speaking through a Shinto psychic to the bandit in the forest, the monk, the rape of the wife, and the dishonest retelling of the events in which everyone shows his or her ideal self by lying.[3]

Trailer

The film is known for a plot device that involves various characters providing subjective, alternative and contradictory versions of the same incident. Rashomon was the first Japanese film to receive a significant international reception;[4][5] it won the Golden Lion at the Venice Film Festival in 1951, was given an Academy Honorary Award at the 24th Academy Awards in 1952, and is considered one of the greatest films ever made. The Rashomon effect is named after the film.

Source: Wikipedia

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